perfectly-addicted:

#hitchlock 30 29 28 … etc

archiaart:

fade to black

zunmo:

recently hit 400 followers, which I know is not a lot in the grand scheme but it feels like a lot! thank you guys so much, I have such a good time in this community and feel very appreciated :-) u guys are chill as hell

a-h-art:

Polygon/geometric Sherlock fanart. This was both entertaining and meticulous work! This kind of art is really popular right now, and I 100% approve of the trend. Enjoy <3

cdlafere:

waitingforgarridebs:

johnthreecontinents:

i can’t believe they put a transparent door to their shared bathroom in sherlock’s bedroom. why did they

johnthreecontinents:

i can’t believe they put a transparent door to their shared bathroom in sherlock’s bedroom. why did they

At least in our version there is a door… 

waitingforgarridebs:

johnthreecontinents:

i can’t believe they put a transparent door to their shared bathroom in sherlock’s bedroom. why did they

At least in our version there is a door… 

and i need this.

falson2:

Crime scene magazine. Sept. 2015  х х х

burnsides:

“I said pass me a pen.”
“When?”
“About two hours ago”
Ethan Yazel

Prints available through my Etsy

loudest-subtext-in-television:

just-sort-of-happened:

One of the ways that Sherlock deduces that David still has romantic feelings for Mary is that in all his Facebook pictures of John and Mary, John is, ‘always partly or entirely excluded’.  This shows that he wants John, ‘out of the picture’, so to speak.

Then we see director Colm McCarthy’s approach to framing his shots during the best man speech.  During Sherlock’s speech, Mary is, ‘always partly or entirely excluded’, in any shot that also includes Sherlock.  Janine, a character we’ve only just met, and of much less importance to the proceedings, seems to have plenty of room to fit in shots that exclude Mary.

If excluding half of a couple is a sign that someone wants them to not be a couple, then, here, the show is explicitly telling us that John and Mary are not the right couple.  The compositions escalate from merely cutting Mary out to having Sherlock actually physically block her from the audience’s view.  We are meant to not see John in relation to Mary but Sherlock.  It’s always Sherlock.

(Thank you to obliquely-related for their comment that reminded me to write about this.)

i love this more than anything

“Martin is especially good at interrogating a script…” — Mark Gatiss

someone-wicked:

London by ~MarieMJS

That’s my head canon, 20-something Sherlock, beautiful creature getting drugged all over the place, probably all over Europe as well, dejected and disconnected.

nixxie-fic:

1/3 - Words on screen - BBC Sherlock - the detail these people go to is delightful!

(1/3, 2/3, 3/3)

aconsultingdetective:

Sherlock and John + domesticity funny

atarial:

the old one is so so embarassing now xP

does show what about two and a half years can do though =)

trhanduil:

One word to let me know that you were alive.

anigrrrl2:

As I fell asleep last night, pondering Sherlock, as one does…I kept going over a comment someone left on a gif set I reblogged yesterday about not forcing a love story into it, and just enjoying the show for what it is.

It annoyed me at the time - leave Johnlock stuff to the…